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This special edition contains a foreword by the film's director and screenwriter, Roger Michell Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip's world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and then dies suddenly in suspicious circumstances. Before long, the new widow - Philip's cousin Rachel - arrives in England. Despite himself, Philip is drawn to this beautiful, mysterious woman. But could she have caused Ambrose's death? She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality * Guardian * No other popular writer has so triumphantly defied classification . . . She satisfied all the questionable criteria of popular fiction, and yet satisfied the exacting requirements of "real literature", something very few novelists ever do -- Margaret Forster From the first page . . . the reader is back in the moody, brooding atmosphere of Rebecca * New York Times Book Review * Du Maurier is a storyteller whose sole aim is to bewitch and beguile. And in My Cousin Rachel she does both, with Rebecca looking fondly over her shoulder * New York Times * She wrote exciting plots, she was highly skilled at arousing suspense, and she was, too, a writer of fearless originality * Guardian * No other popular writer has so triumphantly defied classification . . . She satisfied all the questionable criteria of popular fiction, and yet satisfied the exacting requirements of "real literature", something very few novelists ever do -- Margaret Forster From the first page . . . the reader is back in the moody, brooding atmosphere of Rebecca * New York Times Book Review *

My Cousin Rachel: Film Tie In