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Terror: When Images Become Weapons

Terror: When Images Become Weapons

Publisher Manchester University Press
Year 18/01/2021
Pages 280
Version hardback
Readership level College/higher education
ISBN 9781526147134
Categories History of art & design styles: from c 1900 -, Photographic reportage, Media studies, Terrorism, armed struggle
Delivery to United States

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Book description

In June 2016, a French policeman was stabbed to death in a Paris suburb. His assailant gained access to the victim's flat, where he murdered the policeman's partner in front of their three-year-old son. While negotiating with members of the special forces, the murderer posted live footage of himself and his victims on Facebook. Acting in the name of the so-called Islamic State, the perpetrator, who would later be shot and killed, single-handedly applied one of the fundamental tenets of modern terrorism: it is not the act of violence itself that counts, but the images of it that are brought into circulation. Once released, nothing and no one can eradicate these images and the visual battle that ensues knows no winners or ceasefire. With the expert eye of an art historian, Charlotte Klonk documents the visual machinery of terrorism from the late nineteenth century to the present day. She shows that the propaganda videos form the IS are nothing new. On the contrary, perpetrators of terror acts have always made use of images to spread their cause through the media - as have their enemy, the state. This is an indispensable book for understanding the background and dynamic of terror today. -- .

Terror: When Images Become Weapons

Table of contents

1 Close-up: Assassinations and Bomb Attacks in the Late Nineteenth and Early Twenty-First Centuries
2 Distant Images: Hostage-Takings and Aircraft Hijackings since the 1960s
3 Images of Perpetrators: From Wanted Posters to Propaganda Videos
4 Image Ethics
Bibliography -- .

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