Stories can inspire love, anger, fear and nostalgia - but what is going on in our brains when this happens? And how do our minds conjure up worlds and characters from the words we read on the page?
Rapid advances in the scientific understanding of the brain have cast new light on how we engage with literature. This book - collaboratively written by an experienced neuroscientist and literary critic and writer - explores these new insights. Key concepts in neuroscience are first introduced for non-specialists and a range of literary texts by writers such as Ian McEwan, Jim Crace and E.L. Doctorow are read in light of the latest scientific thought on the workings of the mind and brain.
Brain, Mind, and the Narrative Imagination demonstrates how literature taps into deep structures of memory and emotion that lie at the heart of our humanity. It will be of interest to readers of all sorts and students from both the humanities and the sciences. I have always thought that studies of the brain conducted by neuroscientists had nothing to tell us about the literary imagination and the process of interpretation. After reading Christopher Comer and Ashley Taggart's new book, I find my mind completely changed. Drawing on multiple disciplines on both sides of the aisle, the authors amply demonstrate that by exploring the master category of narrative our understanding of both the brain as a physical mechanism and of literature as a resource for living can be greatly enhanced. A notable achievement! * Stanley Fish, Davidson-Kahn Professor of Law and the Humanities, Florida International University, USA * This book is an essential read, since it offers eloquent debate around story-telling, what it has to tell us about the brain, and thence about ourselves. * Steven Matthews, Professor of Modernist Studies, and Director of the Samuel Beckett Research Centre, University of Reading, UK *
Brain, Mind, and the Narrative Imagination
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