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Art and Resistance in Germany

Art and Resistance in Germany

Autorzy
Wydawnictwo Bloomsbury Publishing PLC
Data wydania 11/03/2021
Liczba stron 288
Forma publikacji książka w miękkiej oprawie
Poziom zaawansowania Dla szkół wyższych i kształcenia podyplomowego
ISBN 9781350230071
Kategorie Historia sztuki - nurty w sztuce od 1900, Aktywizm polityczny
143.82 PLN (z VAT)
$39.12 / €32.07 / £27.55 /
Produkt na zamówienie
Dostawa 3-4 tygodnie
Ilość
Do schowka

Opis książki

In light of the recent rise of right-wing populism in numerous political contexts and in the face of resurgent nationalism, racism, misogyny, homophobia, and demagoguery, this book investigates how historical and contemporary cultural producers have sought to resist, confront, confound, mock, or call out situations of political oppression in Germany, a country which has seen a dramatic range of political extremes during the past century. While the current turn to nationalist populism is global, it is perhaps most disturbing in Germany, given its history with its stormy first democracy in the interwar Weimar Republic; its infamous National Socialist (Nazi) period of the 1930s and 1940s; and its split Cold-War existence, with Marxist-Leninist Totalitarianism in the German Democratic Republic and the Federal Republic of Germany's barely-hidden ties to the Nazi past. Equally important, Germans have long considered art and culture critical to constructions of national identity, which meant that they were frequently implicated in political action. This book therefore examines a range of work by artists from the early twentieth century to the present, work created in an array of contexts and media that demonstrates a wide range of possible resistance.

Art and Resistance in Germany

Spis treści

Introduction: Welcome to the Resistance!, Deborah Ascher Barnstone (University of Technology Sydney, Australia) and Elizabeth Otto (State University of New York at Buffalo, USA)

1. How Art Resists, Deborah Ascher Barnstone (University of Technology Sydney, Australia) and Elizabeth Otto (State University of New York at Buffalo, USA)

Art That Alters Worldviews
2. Cut with the Kitchen Knife: Visualizing Politics in Berlin Dada, Patrizia McBride (Cornell University, USA)
3. Existence-Minimum Architecture Walter Gropius's Dammerstock, 1929, Kevin Berry (University of Pennsylvania, USA)
4. Authority and Ambiguity: Three Sculptors in National Socialist Germany, Nina Lubbren (Anglia Ruskin University, UK)

Art That Inspires Action
5. Teach Your Children Well: Hermynia Zur Muhlen, George Grosz, and the Art of Radical Pedagogy in Germany between the World Wars, Barbara McCloskey (University of Pittsburgh, USA)
6. Parting Shots: Ella Bergmann Michel's Wahlkampf 1932 (Letzte Wahl), Jennifer Kapczynski (Washington University In St. Louis, USA)
7. War Feeds its People Better: Meryl Streep, Brecht and the Limits of Revolutionary Theater, Noah Soltau (Carson-Newman University, UK)

Art That Critiques Symbols
8. Montage as Meme: Learning from the Radical Avant-Gardes, Sabine Kriebel (University College Cork, Ireland)
9. On the Subversiveness of Two Silverpoints by Otto Dix, James van Dyke (University of Missouri, USA)
10. A Whisper Rather than a Shout: Ursula Wilms and Heinz Hallmann's Topography of Terror, Kathleen James-Chakraborty (University College Dublin, Ireland)

Art That is Created in Acts of Resistance
11. From Anti-Nazi Postcards to Anti-Trump Social Media: Resistance, Opposition, or Cold Comfort? Peter Chametzky (University of South Carolina, USA)
12. Opera as Resistance: Helmut Lachenmann's Madchen mit den Schwefelhoelzern, Joy Calico (Vanderbilt University, USA)
13. Montage as a Form of Aesthetic Resistance Today: Marcel Odenbach and Thomas Hirschhorn, Verena Krieger (University of Jena, Germany)

List of Contributors
Bibliography
Index

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