'Girl on a Train meets The Talented Mr Ripley under the Moroccan sun. Unputdownable' The Times
The perfect read for fans of Daphne du Maurier and Patricia Highsmith, set in 1950s Morocco, Tangerine
is a gripping psychological literary thriller.
The last person Alice Shipley expected to see since arriving in Tangier with her new husband was Lucy Mason. After the horrific accident at Bennington, the two friends - once inseparable roommates - haven't spoken in over a year. But Lucy is standing there, trying to make things right.
Perhaps Alice should be happy. She has not adjusted to life in Morocco, too afraid to venture out into the bustling medinas and oppressive heat. Lucy, always fearless and independent, helps Alice emerge from her flat and explore the country.
But soon a familiar feeling starts to overtake Alice - she feels controlled and stifled by Lucy at every turn. Then Alice's husband, John, goes missing, and Alice starts to question everything around her: her relationship with her enigmatic friend, her decision to ever come to Tangier, and her very own state of mind.
is an extraordinary debut, so tightly wound, so evocative of 1950s Tangier, and so cleverly plotted that it will leave you absolutely breathless. A sultry, Ripley-esque tale of manipulation and obsession. * Tatler * An eerie filmic debut that reminded me of Patricia Highsmith -- India Knight * Sunday Times * A tightly wound debut that will leave you breathless * Evening Standard * A satisfying, juicy thriller . . . knows all the notes to hit to create lush, sinister atmosphere and to prolong suspense * New York Times * The plot unfolds as a cross between The Talented Mr Ripley and The Girl on the Train * Telegraph * Atmospheric . . . echoes of other writers, most notably Patricia Highsmith, are ever present * Sunday Times * A helluva tense read . . . Tangerine
by Christine Mangan doesn't disappoint * Sunday Telegraph * An assured and atmospheric debut * Guardian * It is an accomplished, ominous, evocative tale of spiralling obsession, skilfully pulled off -- Alison Flood * Observer * A taut, brilliant thriller set in 50s Morocco; perfect escapism * Emerald Street * Like Highsmith, Tartt and Flynn, the author excels in portraying the troubled boundaries between selves through themes of obsession, stalking and otherwise crossing the line in close relationships . . . engages the reader to the bitter end -- Anita Sethi * Independent i * Assured and atmospheric * Guardian * A plot as twisty as the streets of its dazzling Tangier s