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Narratives of Nothing in 20th-Century Literature

Narratives of Nothing in 20th-Century Literature

Wydawnictwo Bloomsbury Publishing PLC
Data wydania 01/10/2015
Wydanie Pierwsze
Liczba stron 208
Forma publikacji książka w twardej oprawie
Poziom zaawansowania Dla szkół wyższych i kształcenia podyplomowego
Język angielski
ISBN 9781501307218
Kategorie Studia literackie: od 1900
437.00 PLN (z VAT)
$112.74 / €96.05 / £86.75 /
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Dostawa 2 dni
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Opis książki

The concept of nothing was an enduring concern of the 20th century. As Martin Heidegger and Jean-Paul Sartre each positioned nothing as inseparable from the human condition and essential to the creation or operation of human existence, as Jacques Derrida demonstrated how all structures are built upon a nothing within the structure, and as mathematicians argued that zero - the number that is also not a number - allows for the creation of our modern mathematical system, Narratives of Nothing in 20th-Century Literature suggests that nothing itself enables the act of narration. Focusing on the literary works of Vladimir Nabokov, Samuel Beckett, and Victor Pelevin, Meghan Vicks traces how and why these writers give narrative form to nothing, demonstrating that nothing is essential to the creation of narrative - that is, how our perceptions are conditioned, how we make meaning (or madness) out of the stuff of our existence, how we craft our knowable selves, and how we exist in language. Vicks has chosen a remarkable topic, one which is paradoxically brilliant, obvious, and understudied: nothing. What Vicks identifies as 'narratives of nothing' intrinsically presents epistemological and interpretive challenges: narration would seem to be 'about something' by definition. Yet Vicks shows just how much of a something 'nothing' has been for modern literature. By combining the usual suspects (Beckett, Sartre, Derrida, Kristeva) with key Russian figures (Gogol, Nabokov, and Pelevin), Vicks demonstrates not only for the centrality of 'nothing' as a Russian transcendental signifier over time, but also the centrality of Russia for the construction of 'nothing.' * Eliot Borenstein, Professor of Russian and Slavic Studies, New York University, USA * Meghan Vicks situates three of the most innovative, controversial and influential figures of twentieth-century literature at the heart of her investigation of 'nothingness' in Western culture and thought. Through her insightful comparison of key texts, she casts new light on the work of Nabokov, Beckett and Pelevin, whilst establishing the 'void' as a critical element in their explorations of the human predicament. * Barbara Wyllie, University College London, UK, and author of Nabokov at the Movies and Vladimir Nabokov (Critical Lives) * In this well-written, deeply theorized study of the concept of nothing and its importance for fiction, Vicks (Germanic and Slavic languages, Univ. of Colorado, Boulder) traces the significance of nothingness through a multifaceted, interdisciplina

Narratives of Nothing in 20th-Century Literature

Spis treści


Chapter Zero: Introduction: Nothing and the Twentieth Century

Odysseus : Outis
Khora : Socrates : Knowing Nothing
Much Ado About Nothing
Narratives of Nothing

Chapter One: Theorizing Nothing

Nothing and Being: Heidegger and Sartre
Nothing and Narrative: Nietzsche, Derrida, Bakhtin, and Kristeva

Chapter Two: Akaky Akakievich and Bartleby

Akaky Akakievich

Chapter Three: "Working in a Void": Vladimir Nabokov and the Semiotics of Nothing

Muzhiks Working in a Void
The Otherworld and Loss
The Real Life of Sebastian Knight: Reality as Nothing and the Aesthetics of Failure
"Signs and Symbols": Patterning and Nothing

Chapter Four: Samuel Beckett: Immanence, Language, Nothing

Nothing happens, more than once
Critical Approaches to Beckett and Nothing
Aesthetics of Lessness
Beckettian Immanence
Molloy: Questing Immanence
Aesthetics of Immanent Nothing

Chapter Five: Victor Pelevin's Void and the Post-Soviet Condition

Pelevin's Postmodernism
Engineering the Human Soul
Pelevin's Divine Absurdity: The Void
Nihilistic Nothing in Generation "P"
Sacred Nothing in Chapaev and Void and The Sacred Book of the Werewolf

Conclusion: Nothing as the Transcendental Signified



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