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Designed for the "musicianship" portion of the freshman-sophomore music theory sequence, Benjamin/Horvit/Koozin/Nelson's MUSIC FOR SIGHT SINGING, Seventh Edition, presents music that is challenging without overwhelming young musicians. With over 1,400 melodies, rhythms and vocal ensemble pieces, it combines a carefully graded sequence of newly composed musical examples with selections from music literature. It includes early music, Classical and Romantic music, works by contemporary composers and female composers, representations of international cultures, popular music, Broadway, jazz and more. Drawing on their extensive experience as composers and music theorists, the authors deliver a comprehensive approach for sight singing to complement the full aural skills and music theory curriculum. Broad breadth of coverage and thoughtful organization provide for well-rounded skill development.

Music for Sight Singing

Part I: COMMON PRACTICE TECHNIQUES: DIATONIC.

1. Rhythm: One-and-Two-Pulse Units (Unmetered). Pitch: The Major Scale.

2. Rhythm: Simple Meters. Pitch: Introducing Thirds. Pitch: Introducing Fourths.

3. Pitch: Tonic Triad in the Major Mode. Introducing Fifths, Sixths, and Octaves.

4. Rhythm: 2:1 Subdivisions of the Beat. Pitch: I, V, and V7; Introducing Sevenths.

5. Rhythm: Anacruses (Upbeats) and 4:1 Subdivisions of the Beat. Pitch: I, IV, V, and V7. Pitch: Introducing the Alto Clef.

6. Rhythm: Dots and Ties. Pitch: Minor Mode.

7. Music from the Literature.

8. Rhythm: Compound Meter. Pitch: Supertonic Traid. Pitch: Submediant and Mediant Triads. Pitch: Tenor Clef.

9. Rhythm: Triplets and Duplets.

10. Music from the Literature.

11. Rhythm: Syncopation. Pitch: Other Seventh Chords.

Part II: COMMON PRACTICE TECHNIQUES: CHROMATIC.

12. Pitch: Decorative Chromaticism.

Pitch: Inflected Scale Degrees. Pitch: Scalar Variants in Minor. Pitch: Modal Borrowing.

13. Music from the Literature.

14. Pitch: Secondary Dominants.

15. Pitch: Modulations to Closely Related Keys.

16. Rhythm: Quintuple Meters. Pitch: Chromaticism Implying Altered Chords; Modulation to Distantly Related Keys.

17. Music from the Literature.

Part III: TWENTIETH-CENTURY TECHNIQUES.

18. Rhythm: Irregular Meters. Pitch: Diatonic Modes. Pitch: Changing Clefs. Part Music.

19. Rhythm: Changing Meters.

Pitch: Pandiatonicism.

20. Rhythm: Syncopation Including Irregular and Mixed Meters. Pitch: Extended and Altered Tertian Harmony.

21. Pitch: Exotic Scales.

22. Rhythm: Complex Divisions of the Beat. Pitch: Quartal Harmony.

23. Rhythm: Polyrhythms and Polymeters. Pitch: Polyharmony and Polytonality.

24. Pitch: Interval Music.

25. Serial Music.

26. Music from the Literature.