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Visual Communication: Understanding Images in Media Culture

Visual Communication: Understanding Images in Media Culture

Autorzy
Wydawnictwo SAGE Publications Inc
Data wydania 02/12/2019
Liczba stron 312
Forma publikacji książka w miękkiej oprawie
Poziom zaawansowania Dla szkół wyższych i kształcenia podyplomowego
Język angielski
ISBN 9781412962247
Kategorie Studia komunikacyjne
228.90 PLN (z VAT)
$51.49 / €49.08 / £42.60 /
Produkt na zamówienie
Dostawa 3-4 tygodnie
Ilość
Do schowka

Opis książki

In today's digital media environment we are creating and consuming more images than ever before. From the importance of image in politics, to the ubiquity of the 'selfie' across social media platforms, visual communication is increasingly central to our everyday mediated lives.



It is more important than ever to examine the social and cultural implications of mediated images - but how can we really interrogate the work that images do?


Visual Communication: Understanding Images in Media Culture provides a theoretical and empirical toolkit to do just that. It explores a range of approaches to visual analysis, while also providing a hands-on guide to applying a diverse range of methods to your own work. The book:




Illustrates multiple perspectives, from content analysis and semiotics, to multimodal and critical discourse analysis.
Explores the centrality of images to issues of identity and representation, politics and activism, and commodities and consumption.
Brings theory to life with a host of original case studies, from celebrity videos on YouTube and civil unrest on Twitter, to the lifestyle branding of Vice Media and Getty Images.
Shows you how to combine approaches and methods to best suit your own research questions and projects.


An invaluable guide to analysing contemporary media images, this is essential reading for students and researchers of visual communication and visual culture. This smart and engaging book introduces readers to some of the most pressing debates in visual communications studies. Effective in making often-opaque theories accessible, Aiello and Parry situate these debates in relation to a diverse toolkit of current research methods. Eighteen thickly-contextualized case studies skillfully illustrate the various steps students need to design their own projects. -- Wendy Kozol How can we understand images in media culture? Writing with clarity, insight and flair, Aiello and Parry show us that while there is no simple answer, there are many good analytical paths to pursue, demonstrating their value across no less than eighteen case studies - from political memes to photojournalism to Hollywood movie trailers and commercial imagery. Focusing on how visual communication is entangled with identities, politics and commodities, this book is not only an exemplary introduction to visual communication research: it is a significant and timely guide to the powers and properties of contemporary images. -- Paul Frosh Organised around the themes of identities, politics and commodification, this book offers multiple conceptual insights into how images are created, circulated, seen, sold, modified and destroyed. Its themes and arguments are grounded in a series of detailed and clearly written examples, which also explore the methodological implications of approaching images as forms of visual communication. All this adds up to a must-read for anyone interested in contemporary visual culture. -- Gillian Rose

Visual Communication: Understanding Images in Media Culture

Spis treści

Chapter 1: Introduction

Chapter 2: Understanding images in media culture: methodological considerations

Chapter 3: Envisioning the self in digital media

Chapter 4: Communicating visions of collective identity

Chapter 5: Ways of seeing difference beyond stereotypes

Chapter 6: Images of politicians in the public sphere

Chapter 7: The visual spectacles of protest and activism

Chapter 8: Picturing international conflict and war

Chapter 9: The visual attractions of advertising and promotional culture

Chapter 10: Visualizing lifestyles as commodities

Chapter 11: Brands as visual experiences

Chapter 12: Conclusion

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