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The Magic of Concepts: History and the Economic in Twentieth-Century China

The Magic of Concepts: History and the Economic in Twentieth-Century China

Publisher Duke University Press
Year 03/03/2017
Pages 232
Version paperback
Readership level Professional and scholarly
ISBN 9780822363217
Categories Historiography, Asian history
$25.37 (with VAT)
112.77 PLN / €24.18 / £20.99
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Book description

In The Magic of Concepts Rebecca E. Karl interrogates "the economic" as concept and practice as it was construed historically in China in the 1930s and again in the 1980s and 1990s. Separated by the Chinese Revolution and Mao's socialist experiments, each era witnessed urgent discussions about how to think about economic concepts derived from capitalism in modern China. Both eras were highly cosmopolitan and each faced its own global crisis in economic and historical philosophy: in the 1930s, capitalism's failures suggested that socialism offered a plausible solution, while the abandonment of socialism five decades later provoked a rethinking of the relationship between history and the economic as social practice. Interweaving a critical historiography of modern China with the work of the Marxist-trained economist Wang Yanan, Karl shows how "magical concepts" based on dehistoricized Eurocentric and capitalist conceptions of historical activity that purport to exist outside lived experiences have erased much of the critical import of China's twentieth-century history. In this volume, Karl retrieves the economic to argue for a more nuanced and critical account of twentieth-century Chinese and global historical practice.

The Magic of Concepts: History and the Economic in Twentieth-Century China

Table of contents

Preface and Acknowledgments ix
Introduction. Repetition and Magic 1
1. The Economic, China, World History: A Critique of Pure Ideology 19
2. The Economic and the State: The Asiatic Mode of Production 40
3. The Economic as Transhistory: Temporality, the Market, and the Austrian School 73
4. The Economic as Lived Experience: Semicolonialism and China 113
5. The Economic as Culture and the Culture of the Economic: Filming Shanghai 141
Afterword 160
Notes 167
Bibliography 199
Index 213

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